Signs of the Times - Ballerinas Abandon Their Tutus for Dance Club Work in London
Nov 1998
Freedom of Expression: Ballerinas Abandon Their Tutus for Dance Club Work in London
Search for:


Home

 

"Former ballerinas have been recruited as the main attraction at a new London club where they will dance naked to classical music" (Cathernine Milner, The Sunday Telegraph,UK, November 1, 1998).

"Sophisticats, which is due to open in Marylebone later this month, is staffed by classically-trained ballerinas who can earn twice as much dancing in the nude as they could in more conventional dance. David Simones, who runs the club, said that he auditioned more than 70 classically-trained dancers from all around the world before choosing seven of the best to star in his show" (Cathernine Milner, The Sunday Telegraph,UK, November 1, 1998).

"When the club opens they will dance naked to Wagner, Mozart and a selection of operatic highlights in addition to the more common night-club musical far of music such as Edith Piaf's La Vie en Rose. 'This will be a very artistically challenging show and will stir the emotions,' Mr. Simones said. 'I love ballet; I love opera; I love artistic dance. The girls are very well educated and well trained'" (Cathernine Milner, The Sunday Telegraph,UK, November 1, 1998).

"Mr. Simones has employed Emma Smith and Fiona Kay - both of whom have had a classical ballet training - to choreograph the sow in addition to performing in it. Smith, 25, who in keeping with the cat theme of the club has adopted the name "Ginger", trained as a ballerina with the Northern Ballet School before travelling abroard in search of work. (Cathernine Milner, The Sunday Telegraph,UK, November 1, 1998).

She said she is delighted to have landed her new job. ' There are so few jobs you have to be open-minded and realistic,' she said. 'Dancers have a very short shelf-life and you have to think about the future.' Her new job, she said, will allow her to make a career as a 'soloist' and allow her personality to 'shine through' and also give her more free time and pay"(Cathernine Milner, The Sunday Telegraph,UK, November 1, 1998).

"'I worked in Paris with a teacher from the Paris Opera but realized that I didn't want to work in a corps de ballet earning just 300 pounds a week.' Doing the show she will earn 450 pounds a night for doing just two half-hour performances'" (Catherine Milner, The Sunday Telegraph,UK, November 1, 1998).

"Kay, whose stage name is "Persia", trained at the Urdang Academy of Ballet in London. 'Definitely the ideal aim I had was to do classical ballet, but it was so tough to get into - you have to be totally single minded,' she said. 'Basically I wanted a life. Most of my contemporaries from college have stopped dancing. I think I'm the only one who is still going,' Kay said" (Cathernine Milner, The Sunday Telegraph,UK, November 1, 1998).

"She described the 300 pounds earned by dancers in the corps of the Royal Ballet as 'abysmal'. She added: 'Considering all the work they are putting in they should be getting 800 pounds a week'" (Catherine Milner, The Sunday Telegraph,UK, November 1, 1998).


Comments? Questions? Write me at george@loper.org.